When sound designer Johnnie Burn first learned he'd be collaborating with director Yorgos Lanthimos for a sixth time, he had just one hope: make it a sci-fi film or a musical.

How did Sarah Schachner make the Yautja sing? Read our 'Predator: Badlands' interview on the film’s killer score and cultural world-building.

Benjamin Wallfisch revisited the world Derry for the small screen after scoring the blockbuster two-part movie version of ...

Nebulasexuality explained: a sexual identity often linked to neurodivergence where attraction feels unclear, confusing or ...

When Donald Trump wasn’t busy falling asleep in front of the cameras, he spent his first year in office struggling to form ...

Focus Features signed on in April 2024 to distribute Bugonia in the US, with Universal taking international and CJ South ...

Kathryn Madsen and Nick Forshager discuss designing the isolating silences and the world-spanning hive-mind dialogue of Apple TV's 'Pluribus.' ...

After having tested a lot of TVs, I’ve started to expect a certain compromise when it comes to sound. No matter how good the panel is, built-in speakers are usually the weakest link. The Samsung S95F ...

The War Between the Land and the Sea is a spin-off from Doctor Who while also very much its own story. Kevin Hilton talks to ...

Even sci-fi TV shows with massive budgets and high ratings can flop after the first season, thanks to casting mistakes, ...

Either by developing new filmmaking technology or coining narrative elements that would become tropes, sci-fi movies ...

Even the best telescopes can’t see exoplanets. It’s all about watching for jiggly stars, blue shifts, and transits.