His two-character work won a Pulitzer Prize and had a long Broadway run, but he never replicated its success and struggled to get his later work staged. By Trip Gabriel D.L. Coburn, whose play “The ...

"I'm not some kind of intellectual who's importing very special ideas into the unfamiliar terrain of the theater. I don't see it like that at all," he said. "There's something about the way the plays ...

In this Sept. 4, 2012 file photo, British playwright Tom Stoppard poses as he arrives for the world premiere of "Anna Karenina," in London. Editor Tom Stoppard, often hailed as one of the greatest ...

Drawing comparisons to the greatest of dramatists, he entwined erudition with imagination in stage works that won accolades on both sides of the Atlantic. By Bruce Weber Tom Stoppard, the Czech-born ...

Stephen Wilson Jr. made his CMA Awards performance debut on Wednesday night, mesmerizing the crowd with his inventive rendering of “Stand by Me,” Ben E. King’s 1961 hymn that was later recorded by ...

An SDET is a person with coding and developer skills who uses them to focus on creating automation artefacts, such as tests, frameworks, mocks, stubs, and, more recently, CI/CD pipelines. They combine ...

They’re going to do everything they can to make “A Christmas Carol” the most festive it’s ever been. That’s because the themes of death, redemption and ghosts have become all too real for the cast and ...

The set for “Little Bear Ridge Road,” the new production that marks Samuel D. Hunter’s Broadway debut, is strikingly spare: Scott Pask, a veteran designer who has earned multiple Tony Awards, has ...

SEATTLE — When Seattle's newest play "Eulogy, or How to Plan Your Own Funeral (and Have Fun Doing It!)" hits the stage at 12th Ave Arts, the person most surprised by its production may be the ...

Have you thought much about your own funeral? You will now. For his latest trick, Seattle playwright Brendan Healy tackles a brand-new, deeply personal challenge: terminal illness, but make it fun.

A lot of theatre artists say they don’t read criticism, and I never quite believe them. Playwright Bess Wohl has a unique approach that was new to me: She said she reads reviews of her plays “like ...